When I showed up at Nordstrom for the Spring Fragrance Festival, the line already snaked through men’s apparel and was headed toward the escalator. The event was billed as a celebration of "our sister state of Hawaii, with lively music, tropical drinks and appetizers". Soon ukulele music drifted out from the skybridge, where a few dozen tables from fragrance vendors lined the edges.
I was excited about the event. The invitation promised the "timelessness of favorite classics" as well as the latest scents. When the gate lifted, a stampede of ladies hightailed it for the back of the skybridge, where mai-tais and hors d’oeuvres were laid out. (Later I noticed that the mai-tais smelled uncannily like the perfume offerings at the Escada and Tommy Bahama tables, but sadly with much less alcohol.) But look! Next to the mai-tai table was the Guerlain table. Half the table had bottles of L’Instant, and the other half was full of Shalimar. Nothing else. The Guerlain rep didn’t share my interest in Après l’Ondée.
Across the hall, I spotted a bottle of Sira des Indes hiding near an avalanche of Miss Dior Cherie and the new Poison. I trotted over, hoping to talk to the Patou lady about the possibility of a reissue of Moment Suprême, but got a blank stare and an arm smeared with Miss Dior Cherie with gold speckles. The next hour was similarly disappointing. I collected fat stacks of paper sprayed with fruity florals — when I unloaded my purse later it was like the clowns disgorging from a Volkswagen, they just kept coming and coming — but I didn’t smell much that was interesting to me. For every "timeless classic" were twenty Hawaiian Punch or sugar cookie smell-alikes. Before long, I stank like a tropical bordello.
As the festival wound down, the music changed from Don Ho to Linda Ronstadt. I won a door prize of bottles of Drakkar Noir and Anaïs Anaïs (the Marc Jacobs rep said, "You know what my brother used to call that?" as she looked at the Anaïs Anaïs. I, too, have brothers and made the correct guess.) Back at home, I stripped down for a thorough bath and looked at the bottles of perfume I’d been wearing lately: Lutens’ Douce Amere, Patou’s Cocktail and Vacances, Parfums de Nicolai’s Sacrebleu. I know they say it takes all kinds, and boy oh boy am I grateful.
Note: image via Jane's Hawaii Home Page, which has a fascinating collection of vintage postcards and historical photographs.
I suppose that mention of Hawaii was the warning – fruity florals were going to be on overload! But only one bottle of Sira des Indes…mercy me, seems made for the event!
And Sira des Indes was one of the more low-key scents! I guess the Bulgari table wasn't as all get-out fruity as many of the others, but my nose was fried by then.
This was a hilarious read! I so love your “clowns” line. Hee! And there are far too many Hawaiian Punch scents floating about out there right now. It's astounding how any of them can create any sort of following, when so many of them are so closely related to one another in terms of tone, texture, and even notes sometimes.
So how is the new Poison in your estimation?
I have to 'fess up–I didn't actually smell the new Poison. I just now opened my box of strips to see if I had the sample, and the odor was so putrid I slammed the lid shut again. By the way, are you the Katie in Portland who likes Fath? If so, we should get in touch. I have some Fath de Fath (an old HG) I need to give away.
Hell yes! I lurve all things Fath, and Fath de Fath is in fact one of my faves of all. I would love to have it, and you are awesome for that… Whenever you have a spare moment or two my email is just katie at scenzilla dot com. (no caps in any of the words) Thank you!!!!!!
Oops, i should mention that yes, I am the one in the same Katie from Portland 😉
Well, let's definitely meet up, then. I'll send you an email. I'll be glad to see an ex with a good home…