The product of that ambition can be sampled in Aqua Tofana, a new opera by the young Sardinian composer Gaia Aloisi, which premieres as part of London’s Tête à Tête festival next month. It tells the true story of Giulia Tofana, an alchemist in 17th-century Italy whose poison enabled women to dispatch abusive or inconvenient husbands. It is ripe with olfactory potential for McCartney, who has been tasked with creating the “deadly” potion that gives the opera its name.
— Sarah McCartney of 4160 Tuesdays scents an opera. Read more in Perfumer Sarah McCartney is making the arts smell good at Financial Times.